An international survey of contemporary marquetry displays the versatility of a traditional art form in modern contexts.

You’re invited! Join us for the 2025 Maker of the Year Awards launch event!

US$50k craft award winners announced – all in all 50 artists and collectives, hailing from 21 US states receive cash.

JamFactory’s collection of Australian designed and made furniture designs could definitely be your favourite new ‘jam’.

"Thinking together: Exchanges with the natural world" is an exhibition which brings together artworks which highlight community and communal values.

Joseph Walsh will unveil Magnus Rinn, a monumental outdoor sculpture at the Irish Pavilion, Expo Osaka in April 2025.

New Zealand maker David Laird's new solo exhibition, The One Tree Exhibition, is all about celebrating the life and value of trees.

Five sculptural works by Tasmanian artist and designer maker Kevin Perkins are each based on a novel by the acclaimed Tasmanian writer, Richard Flanagan.

Two residency opportunities exist for Queensland designer makers.

Learning to make chairs brings a new set of challenges where expert guidance is invaluable. An opportunity to participate in a 10-day course exists in February.

Since 2006, the Centre for Fine Woodworking has tutored 2500 students. Now on show, an exhibition of works by past tutors and students celebrates the school's coming of age and passing of skills from one generation to the next.

Challenged to respond to the sea, the land, or the sky of Australia, a group of Australian artists and makers created works for Sydney based Gallery Sally-Dan Cuthbert’s recent showing at Design Miami, USA.

The biennial MAKE Award is Australia’s richest non-acquisitive award for Australian designer makers in ceramics, glass, furniture/woodwork, metalwork, textiles and fibre, and jewellery.

You voted! Here are your favourite entries for Maker of the Year 2024, presented by Carbatec.

Doubts were raised, however the dates for Melbourne Design Week 2025 have now been confirmed.

When designing his latest chair for a private commission, Bryan Micallef was inspired by the iconic simplicity of the paperclip.