• Ripple Tallboy by Chris Neal and Coopered Vases by Richard Crosland. Photo: Ilana Nathan
    Ripple Tallboy by Chris Neal and Coopered Vases by Richard Crosland. Photo: Ilana Nathan
  • Gillian McCracken, Mark Viner, Thirston Morris. Photo: Grace Cochrane
    Gillian McCracken, Mark Viner, Thirston Morris. Photo: Grace Cochrane
  • Botanical side tables, Alby Johnston with Chaise by Ruth-Thompson. Photo: Ilana Nathan
    Botanical side tables, Alby Johnston with Chaise by Ruth-Thompson. Photo: Ilana Nathan
  • Roy Schack, Julia Charles, Grace Cochrane.
    Roy Schack, Julia Charles, Grace Cochrane.
  • Leon Sadubin with Vessles. Photo: Ilana Nathan
    Leon Sadubin with Vessles. Photo: Ilana Nathan
  • Peter Young and Dale Dryen. Photo: Grace Cochrane
    Peter Young and Dale Dryen. Photo: Grace Cochrane
  • Carrie Noone, Darren Fry and Tim Noone with Essie. Photo: Grace Cochrane
    Carrie Noone, Darren Fry and Tim Noone with Essie. Photo: Grace Cochrane
  • David Mac Laren, Bungendore Wood Works Gallery with Dr Keith Houston. Photo: Grace Cochrane
    David Mac Laren, Bungendore Wood Works Gallery with Dr Keith Houston. Photo: Grace Cochrane
  • Kanun, Onsel, Trestle Hallway Table. Photo: Ilana Nathan
    Kanun, Onsel, Trestle Hallway Table. Photo: Ilana Nathan
  • Richard Crosland, Linda Nathan, Tony Stirton. Photo: Grace Cochrane
    Richard Crosland, Linda Nathan, Tony Stirton. Photo: Grace Cochrane
  • Vessels by Grant Vaughan. Photo: Ilana Nathan
    Vessels by Grant Vaughan. Photo: Ilana Nathan
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Chatoyance! The meaning of the word as personified in the exhibition so-named was brilliantly apparent on February 18, 2018 as attendees to the opening of Studio Woodworkers Australia’s current exhibition could testify.

Chatoyance is that shimmer, that refraction of light that can occur when wood is viewed from different angles and in varying light. For members of SWA, it was an opportunity to play with and present the effects gained through juxtaposing and sometimes contrasting the figure and grain patterns of wood.

Forty items of furniture and other objects were lovingly crafted by members of Australia’s only association for professional woodworkers who have reached a juried level of expertise. As a departure from earlier exhibitions work by both accredited and general members was presented.

On the morning of the opening the crowd poured into the gallery space at Sturt Craft Centre to hear Richard Munao, Cult founder and director deliver an opening address.

Cult is a Sydney based company which provides designer furniture from a comprehensive collection of brand partners in Australia and New Zealand. Before founding Cult in 1997, Richard Munao pointed out that it was his early experience as a cabinetmaker that had given him an understanding of the processes, time and effort which went into creating fine pieces of furniture.

The exhibition runs until April 8, 2018 at Sturt Gallery in Mittagong, NSW. The June issue #99 of Australian Wood Review will feature the work shown at Chatoyance.

Some photos taken at the opening are shown in the gallery above. Click on an image for a larger view and to read captions.

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